When one has cultivated long enough and practiced diligently over a long period, one aquires both Yang and Yin Peng throughout the body.
Sunday, December 28, 2008
Friday, August 29, 2008
Monday, June 23, 2008
Part 1c concludes with the breath - half-moon and whole-body breathing, the chi breathing point, the Psoas muscles and the hanging basket - suspending the pelvis, closing technique for ending each practice session, how to apply what you've learned and what to expect as you explore the Wuji standing meditation practice.
Part 1b summarizes, reviews and continues with the basic components of the Wuji posture, position of the legs, unlocking the knees, using gravity to release blockages, explanation of SUNG, the body's ideal state. Surrendering to gravity - dropping the weight below the feet, the two types of muscles - mobilizers and stabilizers.
Part 1a continues with the basic alignments and body mechanics, opening the midrift to stretch the spine, finding your center from the back, feeling the five points, the low Dan Tien and Mingmen, explanation of the Kua, the biggest "joint" in the body, connecting the lines of gravity - front, back outside and inside.
Part 1 includes the basic mechanics of the stand using the Wuji posture. Alignment of the feet, the three parts of the feet and their importance, the central, left and right deep channels of Chi Gung, the feet as the benchmark of your stand and gravity, arm and hand positions, the spine, eliminating it's three curves, activating Feng Fu point at the base of the skull, how all nerve messages pass through this point from the brain to the body, the position of the head and neck, releasing the chest and rounding the back.
Sunday, June 22, 2008
Saturday, March 29, 2008
For the purposes of Zhan Zhuang this point comes out just behind the "little ball" of the foot. Although Zu Lin Qi has a number of important internal functions, for the purpose of this discussion we will focus on it's auxillary ability to directly release the hip.
Connecting GB-41 to open and adjust the Hip: Without shifting central equilibrium, focus on the point (on the top of the foot) relaxing until you can feel where the additional weight comes out on the bottom of the foot (behind the "little ball.) Notice the change in how the hip feels. Repeat the above process several times until you feel a substantial release (or adjustment) in the hip and/or a greater connection between the two locations.
Saturday, March 1, 2008
In this example we'll use the universal posture (holding the ball or embracing the tree.) Please note: the further the elbow tips are away from the spine (front to back as well as horizontally) the more the deep structural muscles are stretched. If there is too much strain the body will be unable to relax properly and one can end up tighter than when they started.
To prevent this: without changing the width of the posture move the elbows back a little toward the spine (or mid-line of the body if you bisect it horizontally) Inhale up to the clavicle then as you exhale, relax the upper back and allow the elbows to drop very slightly downward and forward.
When done properly you will feel an expansion in the upper back as more and more muscle tissue engages to help support the arms. The whole shoulder girdle will become more relaxed and your arms will feel lighter.
Friday, February 1, 2008
In addition to the lateral shake used to generate Fa Jing there is another method involving the 'tucking' of the tail bone. The technique is fairly simple to describe but initially difficult to execute.
From the kua closed position on the front weighted leg (as seen in the previous video of the Yang Tai Ji Brush Knee) one quickly rotates laterally around the central channel (Zhong Ding) toward the rear leg. This opens the forward kua and momentarily closes the rear one. From there one instantaneously snaps their hips back to centerline position while simultaneously tucking the tail bone under. (Digging the tail bone into the Earth)
This drives the weight from the heel or mid-line point to bubbling well. The effect of this is to greatly enhance the frequency of Qi being emitted which, in push hands, will dig out (uproot) the opponent, always feet first.
Saturday, January 26, 2008
Fa Jing is in some ways a complex and difficult subject, however there are certain basics common to all forms: The Fa Jing 'Shake' and later the tailbone tuck. In the above example using the Brush Knee movement of Yang Tai Ji, it starts in with Kua of the rooted leg (left front) being closed. From there the hips snap laterally to the right (opening the Kua) and then back to the left (closing it) as the Jing is emitted. We shall discuss the applications of the 'tailbone tuck' in a future post.
***Use caution with this method as it gives very little room for forgiveness if done incorrectly. The tremendous amount of torque generated can cause instant injury if the power does not leave the body and instead gets trapped somewhere inside.
Monday, January 21, 2008
Once we have mastered opening and closing the joints individually, in combination and finally in whole body movement we move on to the stage known as Pulsing the Joints. This method has many health and martial arts benefits having to do with the increase and freer movement of the synovial fluid.
Go to the end of any posture, say Double-hand Wardoff, Press, Push, Lift Hands, Crane Spreads Wings or Single Whip for example.
(Closing/Compressing) While maintaining the basic frame or posture inhale and sequentially or simultaneously close/compress the joints (and spine) and stretch everything inward to the center. The body slightly contracts from all directions.
(Opening/Expanding) Exhale and open/expand the joints (and spine) while stretching everything from the center out to the extremities, allowing the entire body to slightly expand in all directions.
This practice then becomes a reflection of, “…if one part moves, all parts move…”
Although this practice is physical at the beginning and at first you usually feel stiff, gradually your perception will hone in on just which tissues to use and you will leave more and more muscles relaxed.
Note – This is like learning any new physical task. At first we use many more muscles than necessary to perform the movement. But gradually over many, many repetitions we learn to use only the specific muscles required and leave the rest relaxed.
In other words the action becomes reflexive and subconscious, allowing you to proceed to future levels of refinement – Eventually being able to use the center point Chi energy of the Dan Tien to motivate, impel and direct the body’s movements without thought of muscular strength. “…mind leads the Chi, Chi leads the body…”
Sunday, January 20, 2008
Closing the Joints Sequence
Toes coordinated with fingers, feet with hands, ankles with wrists, knees with elbows, hips with shoulders, shoulder blades with spine/sacrum/tailbone to Dan Tien/Ming Men.
Opening the Joints Sequence
Dan Tien/Ming Men to shoulder blades coordinated with spine/sacrum/tailbone, hips with shoulders, knees with elbows, feet with hands, fingers with toes.
At the preliminary level these must be felt sequentially going in and out of the center (telescoping or “snaking”) but later as all this becomes subconscious it will be felt to occur simultaneously. This leads to the exercise of pulsing the joints.
Friday, January 18, 2008
Opening – From Dan Tien out to the tips of the extremities.
This exercise entails simultaneously closing and opening the joints in each posture adhering the law of the six harmonies. First work through the single basic coordinations one at a time. Let’s use Brush Knee as an example. On the first repetition only concentrate on shoulder-hip connection, the second pass, elbow and knee and so forth.
Next, work on the multiple combinations such as elbows-knees and ankles-wrists. Finally combine everything together in a single movement linking sequence.
Thursday, January 17, 2008
Single Posture Standing:
Assume the correct alignment for the end or beginning of a posture or transition and then just relax as much as possible while maintaining your alignments. Search for ways to relax more and more of the muscles, first the muscle bellies and later also the attachments. This latter perception leads very naturally into Releasing the Joints which is a necessary requisite for their Opening and Closing.
Remember to stay within your own limits at the time of each practice. (These can often vary considerably from day to day.) Allow the overall posture therefore to be smaller or larger, higher or lower accordingly.
Wednesday, January 16, 2008
4 Basic Areas and Stages of Physical Concentration.
1. Basic Alignments
2. Opening and Closing the Joints.
3. Linear Tissue/Sinew Stretching.
4. Twisting, Wrapping and Spiraling Sinews and Tissues.
Eventually Opening and Closing the Joints and Stretching and Spiraling the Tissues become one simultaneous, cohesive movement executed within the correct alignment of each posture’s Frame.
Tuesday, January 15, 2008
Although normally used to train advanced martial art applications, the small circle method of Yang Tai Chi can also be practiced to promote healing of injuries.
This video explains how to tailor and modify one version of the Yang Cheng Fu form to assist in repairing and strengthening injured tissue.
Monday, January 14, 2008
Step 1 involves ‘hardwiring’ the basic postural alignments.
Step 2 integrates the method of opening and closing all the joints.
Step 3 entails the stretching all the tissue of the body—from the center to the extremities during opening and from the extremities to the center while closing.
Step 4 adding to step 3, all the tissues are now spiraled (twisted, wrapped) around the bones from the Yang to the Yin surfaces while closing and then from Yin to Yang surfaces while opening.
Step 5 necessitates achieving conscious awareness of the bones and at the highest level the bone marrow, spinal cord and brain tissues. This step becomes the bridge between the physical methods and purely energetic practices necessary to implement Shen Force. By mastering the five physical steps we achieve ‘frame’ and a certain degree of Sung. This becomes the foundation for establishing a solid sense of Central Equilibrium during gathering and issuing . Only when all these basic connections and movements are programmed thoroughly enough to enter the subconscious and become reflexive habit are we ready to discover Yin Peng.
Saturday, January 12, 2008
This is a compilation of methods ranging from the external (Yang) to the internal (Yin). Elements of Yang Style Tai Ji and Yiquan are featured. Contains some explanation and original background music.
Friday, January 11, 2008
The reason for this is that even strenous practice of standing meditation does not put undue pressure on the heart and lungs as other more active forms of exercise or sports clearly do.
This is a bold statement but it is backed up with hard scientific research and testing. This data is available in Dr. Yu Yong Nian's new ebook - Zhan Zhuang and the Search of Wu. (Translated into English) At age 87, Dr. Yu is Wang Xiang Zhai's last living disciple.
See for yourself and enjoy...
Thursday, January 10, 2008
As one, who of necessity, has personally researched hundreds of methods in this regard, I’ve found none to compare to the excellent simplicity and overall benefit of what the Chinese call Zhan Zhuang or The Therapeutic Standing Exercises... What do you think?